Market Executive Summary

The global Live Concert market is projected to grow from US$25,889.04 million in 2024 to US$ 42,877.37 million by 2031, at a Compound Annual Growth Rate (CAGR) of 8.14% during the forecast period.

The US & Canada market for Live Concert is estimated to increase from $9,902.56 million in 2024 to reach $ 15,221.47 million by 2031, at a CAGR of 6.58% during the forecast period of 2025 through 2031.

The China market for Live Concert is estimated to increase from $1,988.28 million in 2024 to reach $ 3,138.62 million by 2031, at a CAGR of 7.41% during the forecast period of 2025 through 2031.

The Europe market for Live Concert is estimated to increase from $7,549.24 million in 2024 to reach $12,408.71 million by 2031, at a CAGR of 7.94% during the forecast period of 2025 through 2031.

The global key companies of Live Concert include Live Nation, CTS Eventim, AEG Presents, CMC, Superstruct, DEAG, LDH Japan, SM, HORIPRO, JYP, and YG, etc. In 2024, the global top five players had a share approximately 82 % in terms of revenue.

Growth Drivers of the Global Live Concert Market:

Rising Demand for Experiential Entertainment

As audiences, especially Gen Z and Millennials, increasingly value experiences over material goods, live concerts have become a major outlet for immersive, real-life entertainment and social engagement.

Growth in Artist Tours & Global Fanbases

The internationalization of music fandom—driven by K-pop, Latin music, and global streaming platforms—has led to increased demand for international artist tours and multi-region concert series.

Advancements in Event Technology & Production

Enhanced sound systems, visual effects, stage design, and AR/VR experiences are elevating the live concert experience, making events more memorable and increasing repeat attendance.

Post-Pandemic Rebound & Hybrid Formats

The return of in-person concerts after pandemic restrictions, combined with hybrid formats (e.g., live streaming of concerts), has opened new revenue channels and expanded audience reach.

Rising Sponsorships and Brand Partnerships

Brands are investing heavily in concert sponsorships and music events to engage consumers directly. This trend is fueling market growth by bringing in additional funding and enhancing concert quality.

Report Includes

This report presents an overview of global market for Live Concert market size. Analyses of the global market trends, with historic market revenue data for 2020 - 2024, estimates for 2025, and projections of CAGR through 2031.

This report researches the key producers of Live Concert, also provides the revenue of main regions and countries.  of the upcoming market potential for Live Concert, and key regions/countries of focus to forecast this market into various segments and sub-segments. Country specific data and market value analysis for the U.S., Canada, Mexico, Brazil, China, Japan, South Korea, Southeast Asia, India, Germany, the U.K., Italy, Middle East, Africa, and Other Countries.

This report focuses on the Live Concert revenue, market share and industry ranking of main companies, data from 2020 to 2024. Identification of the major stakeholders in the global Live Concert market, and analysis of their competitive landscape and market positioning based on recent developments and segmental revenues. This report will help stakeholders to understand the competitive landscape and gain more insights and position their businesses and market strategies in a better way.

This report analyzes the segments data by Type and by Application, revenue, and growth rate, from 2020 to 2031. Evaluation and forecast the market size for Live Concert revenue, projected growth trends, production technology, application and end-user industry.

Descriptive company profiles of the major global players, including Live Nation, CMC, Frontier Touring, LDH Japan, HORIPRO, YG, SM, JYP, and Amuse, etc.

Global Live Concert Companies Covered

Live Nation, CTS Eventim, AEG Presents, CMC, Superstruct, DEAG, LDH Japan, SM, HORIPRO, JYP, YG

Global Live Concert Market, by Region

North America (U.S., Canada, Mexico)

Europe (Germany, France, UK, Italy, etc.)

Asia Pacific (China, Japan, South Korea, Southeast Asia, India, etc.)

South America (Brazil, etc.)

Middle East and Africa (Turkey, GCC Countries, Africa, etc.)

Global Live Concert Market, Segment by Type

Solo Concerts

Group Concerts

Global Live Concert Market, Segment by Application

Entertainment Industry

Public Welfare Industry

Others

Chapter Outline

Chapter 1: Introduces the report scope of the report, executive summary of different market segments (product type, application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.

Chapter 2: Revenue of Live Concert in global and regional level. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world. This section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.

Chapter 3: Detailed analysis of Live Concert companies? competitive landscape, revenue, market share and industry ranking, latest development plan, merger, and acquisition information, etc.

Chapter 4: Provides the analysis of various market segments by Type, covering the revenue, and development potential of each market segment, to help readers find the blue ocean market in different market segments.

Chapter 5: Provides the analysis of various market segments by Application, covering the revenue, and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.

Chapter 6: North America (US & Canada) by Type, by Application and by country, revenue for each segment.

Chapter 7: Europe by Type, by Application and by country, revenue for each segment.

Chapter 8: China by Type, and by Application, revenue for each segment.

Chapter 9: Asia (excluding China) by Type, by Application and by region, revenue for each segment.

Chapter 10: Middle East, Africa, and Latin America by Type, by Application and by country, revenue for each segment.

Chapter 11: Provides profiles of key companies, introducing the basic situation of the main companies in the market in detail, including product descriptions and specifications, Live Concert revenue, gross margin, and recent development, etc.

Chapter 12: Analyst's Viewpoints/Conclusions

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